The Night Café (After Vincent van Gogh)
In JiPe’s reinterpretation of Vincent van Gogh’s The Night Café, wakefulness seems to have outlasted the reasons for remaining…
JiPe
The Man with the Golden Helmet (After Rembrandt)
In JiPe’s reinterpretation of The Man with the Golden Helmet, long associated with Rembrandt, splendour gathers above a…
The Maids of Honor (After Diego Rodriguez de Silva Velazquez)
In JiPe’s reinterpretation of Diego Rodríguez de Silva Velázquez’s The Maids of Honor, a gathered court…
The Luncheon on the Grass (After Édouard Manet)
In JiPe’s reinterpretation of Édouard Manet’s The Luncheon on the Grass, the ease of a gathering is unsettled…
The Flower Carrier (After Diego Rivera)
In JiPe’s reinterpretation of Diego Rivera’s The Flower Carrier, beauty bears down with a weight the body can scarcely accommodate.…
The Creation of Adam (After Michelangelo)
In JiPe’s reinterpretation of Michelangelo’s The Creation of Adam, an immense world gathers around the smallest of distances. The space…
Ophelia (After Sir John Everett Millais)
In JiPe’s reinterpretation of Sir John Everett Millais’s Ophelia, the water’s apparent gentleness becomes a source of unease. It supports…
Midsummer Dance (After Anders Zorn)
In JiPe’s reinterpretation of Anders Zorn’s Midsummer Dance, celebration unfolds with the tenderness of something already becoming memory. The central couple…
Les Demoiselles d’Avignon (After Pablo Picasso)
In JiPe’s reinterpretation of Picasso’s Les Demoiselles d’Avignon, looking is immediately returned. Five women occupy the space with a composure…